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- Issue 34 | July 2025
Issue 34 | July 2025
Welcome to the July 2025 edition of Miaaw Monthly, courtesy of our more-than-satisfactory newsletter provider Beehiiv.com.
We are now in our summer schedule with a new podcast every fortnight, and a constant buzz of behind-the-scenes research and archiving.
We continue to hope that you will send us something that you want to include in Miaaw Monthly, or something that you want to suggest for the podcasts, by emailing us at [email protected]. We will be happy to include your news and suggestions here and hunt down the topics you want to hear in the podcasts.
PODCASTS FOR JULY 2025
Friday July 4
Meanwhile on an Abandoned Booshelf | Episode 25
Anthony Schrag has brought together artists, curators, activists, academics, managers, and educators from around the world to create a unique anthology that examines the notion of ethics within socially engaged art.
In May, Sophie Hope participated in a symposium based on the book.
For this episode Sophie and Anthony have the conversation about the symposium about the book, so that you can decide whether or not to add it to you summer reading list!
Friday July 18
A Culture of Possibility | Episode 54
Arlene Goldbard and François Matarasso interview author Jeff Chang, known for his books on cultural subjects including hip-hop, race and racism, and Asian Americans.
In May, Jeff posted to his Substack an account of how the Defense Department had removed his book, Can't Stop Won't Stop: A Hip Hop History, written for young adults, from schools on US military bases around the world. The reasons given were Trump’s executive orders banning accounts of racism, gender and sexuality, and other such topics.
Jeff joins us to tell the story and talk about what it means for the future of free expression and diversity.
A THOUSAND WORDS

Kwesi Owusu working n Ghana (image courtesy of Kwesi Owusu)
THE WHOLE WIDE WORLD
Labour Movement for all Animals
According to Henrike Haapoja
Movements for socialism and animal welfare developed side by side throughout the 19th century, connected by their critiques of capitalist exploitation in an increasingly urbanized and industrialized world.
The potential for interspecies solidarity was lost, however, when the socialist movement aligned itself with the humanist tradition and viewed nonhuman animals merely as means of production and objects of the class struggle, rather than as subjects of it. The animal welfare movement, on the other hand, became associated with the bourgeois class and its pet animals, while industrial-scale animal exploitation was pushed out of sight, to the outskirts of rapidly growing cities.
Today, the consequences of the exploitation of nature and nonhuman animals are impossible to ignore. Yet a void still exists between mainstream Left politics and posthumanist thought—the former typically focusing on human class struggle, the latter critiquing anthropocentric ideology.
Labor Movement for All Animals re-writes the history of the labor movement from the perspective of multispecies politics.
You can read the manifesto and the bibliography and find out much more at https://www.animalcapitalism.org
Kwesi Owusu: 1954 - 2025
We learned a month ago that Kwesi Owusu had died in London in March.
According to his obituary, written by Janet Lawrence, and published in The Guardian on June 2, 2025
The author and film-maker Kwesi Owusu, who has died aged 70, wrote several notable books on Black culture in Britain, and was a founder member of the influential performance group African Dawn, which emerged from the vibrant creative scene of the Africa Centre in Covent Garden, London, in the 1980s. During that time, he also co-produced and directed the groundbreaking film Ama: An African Journey of Discovery for Channel 4, which was recently restored and included in the BFI’s 2023 African Odyssey season.
After returning to his native Ghana, Owusu became an advocate for the Ghanaian and African people, both through his leadership of the African branch of Jubilee 2000, a global initiative calling for debt cancellation for the world’s poorest countries, and his media production agency Creative Storm, whose documentaries on subjects such as maternal health and access to water have sparked real change.
Owen had known him since the 1980s when he published his book The Struggle for Black Arts in Britain and had been in conversation with him as recently as last year. Kwesi had agreed to take part in a series of interviews about his work in Britain and in Africa, but sadly that will never happen.