- Miaaw Monthly
- Posts
- Issue 47 | August 2026
Issue 47 | August 2026

Welcome to Wednesday August 5th which, among other things, is the Wednesday before the first Friday of the month, which (among other things) signals that it is time for another edition of Miaaw Monthly, courtesy of Beehiiv.com, the people who make this possible and relatively simple for us.
We continue, more slowly than we would like, to make progress on the Miaaw.net website, and we will are still on track to burst through some significant milestones before the end of summer.
London has been having a summer of heatwaves and hosepipe bans. Helsinki has been having a summer of rain and wind and intermittent sun. South Europe has been (and still is at the time of writing) burning.
Welcome to the new normal.
PODCASTS FOR AUGUST 2026
Friday August 7
Meanwhile in an Abandoned Warehouse | Episode 82
In an episode called I Can’t Find the Seams, Owen Kelly draws connections between the fact and fiction in the novel USA, which he and Sophie discussed last month, Dragnet, Daniel Dennett, the information superhighway, reality tv shows, influencers, and agentic AI.
You won’t feel the same afterwards.
Friday August 14
Parallel Streams | Episode 8
In this month’s episode of Parallel Streams we host the first episode of Embodied Voice, a three part series produced by Queer Circle and Margomool that asks: How can queer and trans+ folks find routes to vocal embodiment?
Friday August 21
A Culture of Possibility | Episode 67
On episode 67 of A Culture of Possibility, Arlene Goldbard and François Matarasso interview Eric Booth, a founding leader of the global field of teaching artistry and in music for social impact.
Friday August 28
Echoes and the Unsaid | Episode 8
In what might possibly be the final episode of Echoes and the Unsaid Jo Gibson and Sophie Hope reflect upon the history of Guildhall School of Music and Drama and visualise its possible futures.
Or they do something else. We shall see…
A THOUSAND WORDS

Poster for USDAC online seminar (see below)
THE WHOLE WIDE WORLD
As the midterm elections approach
The US Department of Arts and Culture have sent us the following mail:
Earlier this year, we gathered with hundreds of artists, organizers, and cultural workers for Artists Against Authoritarianism, a training led by USDAC and our friends at Beautiful Trouble.
Together, we explored a simple question: What role can artists play in resisting authoritarianism?
Of course, there isn’t one single tactic, but a whole constellation of work we can do: build courage, shift public imagination, and prepare people to act together.
Now, we’re gathering to build on that conversation and ask “what can artists do as the election approaches?”
This workshop takes place at Tuesday, August 18, 7:00–9:30 PM ET and will focus on five strategic roles artists and cultural workers can play in the months surrounding the election: 1. Fight, 2. Win, 3. Prove, 4. Enforce, 5. Sustain.You will learn specific tactics artists can use to build these strategies in your own community.
You can enroll by clicking here.
Obviously this will have more directly relevant impact if you live in the USA. Be aware though that it may well be relevant to you wherever you live.
The composting of the GreaterThan collective
We received this in a newsletter last month:
There is no easy way to begin this, so I will begin directly.
Greaterthan Collective — seventeen members, spread across four continents, doing work we deeply believed in — has been in a process of composting for the past months, and will formally cease to exist as a global collective. We are sad. We are also, in the way that comes when something long-unresolved finally finds its form, relieved. Both things are true, and we are not going to pretend otherwise.
If you are reading this and this is news to you, that is by design — we have been living inside this process while continuing to show up to the world, which has not been easy. Greaterthan has been part of many of your networks, your thinking, possibly your work. It shaped ours. What we owe you, and ourselves, is honesty about what happened and what is continuing.
In 2025, after more than a year of the partners investing significant time and energy to find a path forward, Greaterthan sought external support from Miki Kashtan and the Nonviolent Global Liberation community. The process they facilitated — Convergent Facilitation — held the collective in something different from what we had been able to hold for ourselves: the experience of every member's truth being genuinely heard before any decision was made.
What emerged from that process was a shared understanding that Greaterthan as a global collective could not continue in its current form. The decision, reached with grief and with care, was to compost.
From this transition, two new regional collectives have emerged: Common Ground in Europe, and Greaterthan Aotearoa in New Zealand. Others are continuing ventures Working Together and with Intention Studio, and many of us are continuing independently, in informal collaborations. The work lives on, in different containers.
Over the next weeks you’ll see a number of shifts in our space - including the shift of the website with associated links to the work being carried forward and the new emerging. One thing will remain as is - this newsletter, The Weekender. Ashish and Susan have committed to continuing to write weekly, occasionally with some guest voices from other spaces.
So now you know. We intend to try to record a discussion with several members of the GreaterThan collective in the coming months as we feel we can all learn from thi.
Cards on the Table update
Cards On The Table is one of Sophie’s many other projects, and they have been busy lately. They have published three blog posts that stemmed from interviews they conducted after they attended The Warburg Institute's Tarot - Origins & Afterlives, which featured a lot of card games designed to create a lot of different impacts.
You can read the blog about artist Katie Anderson and her Barrow Tarot if you click here. You can read about a conversation on the blog with Sharon Gal about her card deck Etudes. Gal is a UK-based cross-disciplinary artist, composer, and experimental vocalist. Etudes is a collection of 78 cards that can be used as scores and propositions. A music, performance and art resource, the cards act as a catalyst to inspire and trigger the imagination.
Finally, you can read about artist and therapist Lucy Steggals about Ebb & Flow, and the set of cards she developed to foster collaborative exchange of knowledge between artists, researchers, people with lived experience of dementia and their carers. In this blog post, you can read about how Lucy developed this wonderful resource in collaboration with Tatiana A Giovannucci and Mar Estarellas as part of UCL’s Trellis Arbor, a project that brings together artists, UCL researchers and London communities to co-create work together.
You can find out more about COTT by emailing [email protected]
And next month…
The September edition of Miaaw Monthly will appear in your inbox on Wednesday, September 2 with the first podcast of the month arriving just two days later.
Feel free to consult your calendar!